Robot fonts handlettering
![robot fonts handlettering robot fonts handlettering](https://cdn.myfonts.net/cdn-cgi/image/width=720,height=360,fit=contain,format=auto/images/pim/10000/321622_7aa0f1f82e305bf9b42034b590c649fe.png)
The edited scan is then opened in Illustrator, where the linework is reworked. In Photoshop, the hue of the image is set to colorized and adjusted to a light cyan. The pencil sketch is scanned in - resolution does not really matter since all of the linework will be re-done in Illustrator. I wanted my contribution to be of a similar look, ensuring that the whole depiction was cohesive.Īgain, notice how my sketch fits within the perspective grid that I set up beforehand.
![robot fonts handlettering robot fonts handlettering](https://www.cufonfonts.com/images/thumb/45059/robotic-cyborg-741x415-4cac40685c.jpg)
An overly-futuristic robot with too many mechanical complexities would not fit with the classic American illustrational style of the Fizzlestock house illustration. However, I did not want to go overboard with detail. These will be used as reference for the sketch.Īs I mentioned before, I love how robots are depicted in Japanese pop-culture, especially in the Gundam and Transformer series. Illustrator’s Perspective Grid (View > Perspective Grid > Show Grid) is a very helpful tool for this.īy using the nodes to adjust the horizon line and vanishing points, I matched the perspective of grid to that of the house, specifically the roof and chimney.įrom there, two more grids were drawn on top, adhering to the newly adjusted perspective grid. Okay, enough talking about the concept and using artsy-fartsy-smartsy words like “juxtaposition.” So what was my process? Well here is a quick run-through.īecause a robot has a geometric form, I wanted to make sure that it fit with the perspective of scene, which is strongly implied by the angle the house is viewed at. Now there is a blend of cultures occurring in this fictional setting: an all-American newlywed couple admiring their recently purchased home.and complimentary giant Japanese robot. (As a kid, I absolutely loved Gundam, Transformers and all other Japanese robots, so that explains that.)
![robot fonts handlettering robot fonts handlettering](https://i.pinimg.com/originals/45/d6/e7/45d6e7842a80c10f06ee588f74d852a3.png)
Especially when the robot looks to be of Japanese design. Fizzlestock’s collection of classic American advertising illustrations embodies the past and showcases a vintage aesthetic.Ĭombine that with something like a robot, a representation of the future, and the result is pretty peculiar. There are some fun underlying themes and ideas, cultural juxtapositions playing with a distorted sense of time. However, this illustration is not just simply about sticking a robot in the background. Now, if you know me and my work, I tend to add robots in everything. I was browsing their collection and was drawn to the house illustrations. This all started when Fizzlestock was first released, back in December of 2015. Hi everyone, thanks for stopping by and taking the time to check out the collaboration I did with RetroSupply.
Robot fonts handlettering how to#
In this tutorial Jordan is going to share some of his super-useful illustration tips (plus, you learn how to make an epic robot!) So when Jordan sent me some illustration work he created using a FizzleStock image as a base I knew he needed to share it with the world. Jordan has some serious chops – here's proof. It wasn't until later that I realized he was an AMAZING illustrator. Jordan's personality has a warm mix of philosophy and humor and I immediately liked the dude. Note from Dustin at RetroSupply: I met Jordan Wong over appetizers and secret handshakes at WMC Fest in 2015 (dude's got a killer Tie Fighter docking hand shake).